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SEPARATE By Josh Campbell BLACK SCREEN Text reads: “To be in this world but not of it.”—I Peter 2:11
Ext. Rural Amish farmland Afternoon The sound of feet pounding on pavement, as well as rapid breathing. Ezekiel appears, wearing traditional Amish garb and with fresh blood on his shirt. He is a tall, gangly teenager. He sports a cut above his left eye and bruises on his face.
EZEKIEL (V.O.): Zed and I were finished. Vette had ruined us for each other. He had said my life was wasted and he wasn’t going to watch anymore. We were finished, he had walked away. All for Vette. I was running to stop Vette from walking out on my life. I was covered in blood and smelled of cigarettes and alcohol. I knew from the angle of a certain tree that the road would prove solid and the horse would fall. I was not meant to be surprised by anything. Something about the shade of blue in the sky, the clinched fists inside me, told me that I would make it in time to stop her. I didn’t care. I wanted to go all the way. Screen blazes into white. Credits roll. Int. EZEKIEL’S home Morning EZEKIEL lays in bed, slowly waking up. There is low talking in the room outside his door. EZEKIEL shares the room with two younger brothers, but their beds are already empty. Int. Family room of EZEKIEL’S home Same morning EZEKIEL’S father, LEVI, confers with four of the settlement’s other ministers: MINISTERS 1 and 2, JEDEDIAH, and HANS.
MINISTER 1: It is payment of a pittance. There is no dishonor in- HANS: The Ordnung is not specific to- LEVI: The Ordnung codifies scripture, but scripture needs no clarification in such a case. We are being asked too much and afforded too little consideration. HANS: But if we accommodate in small ways- JEDEDIAH: They are wrong to ask. HANS: We have an agreement with the English world. Our community exists because of their good will. JEDEDIAH: A community does not exist if we give in to their picklocks. It is not our place to change tradition. We do not adapt for this world. MINISTER 2: Why is this the sorest issue facing us? Have we not always woven the fabric back together when holes are found? JEDEDIAH: We have held our tongue on too many occasions already. What has this government done aside from try to change us? MINISTER 2: They have allowed us to live peacefully in a violent world. They have respected our freedom and- LEVI: They have taken our freedom. They give money to other farmers to strain our settlements. It is called subsidizing and they do it in secret. They build concrete roads through our homesteads so that horses throw a shoe. And, now, to label ourselves for the outside world. It is disgraceful. Does not the scripture expressly forbid ornamentation in presentation? HANS: You truly feel ill intent in their actions? LEVI: I feel our community slipping away by the day. They intrude, purposely and without apology. They consider us beholden to them. We live at no one’s mercy but the Lord. Small intrusions over time. Have you not built a dam to protect crops by the river? Do the big holes just appear or do the small holes gain until the dam is no more? The most important moment in a wall’s life is when it admits a crack.
EZEKIEL appears from his room.
LEVI: Ezekiel, you should take interest in your community. EZEKIEL: I’ll just milk the- LEVI: The milk was gathered and stored hours ago. Your mother called for you. She worries you sleep the day away. As do I. EZEKIEL:
I have arranged a meeting with Zed. EZEKIEL begins walking towards the door. LEVI: This affects all of us, Ezekiel. You think us gravely separate from the world but that separation must be- Look when I speak to you! EZEKIEL turns back at the door. LEVI: Our settlement will only survive through careful adherence to the scripture. And yet you are out the night, out the day. I see you with Zedediah, throwing rocks at each other and fighting with sticks. Why do young boys always play at killing each other? EZEKIEL: I am not a young boy anymore. We have not taken to the sticks since I was a child. LEVI: Yes, you are almost a man now. But you still play at killing. Killing each other, killing yourself. You think I don’t smell alcohol on your breath, even the following morning? You play at killing, but play is not what men do. Killing is not what we do. (Beat.) Sleeping through your chores does not deny them. Return early for I will see your mother has new chores for you this night. EZEKIEL turns and walks out the door.
Ext. EZEKIEL’s house Seconds later EZEKIEL spots his mother hanging wash on the clothesline and he avoids attracting her attention, sneaking away. Ext. Dirt Road Afternoon EZEKIEL walks down concrete road through fields of tall grass. Ext. Field Shot of an Amish man on modern plow being pulled by horses. EZEKIEL: (v.o.) If I had to explain my story, I would start it there, that day that Ezekiel Raber was shot. I would have to first explain that I am Amish, and Old Order Amish at that, as Spike told me. Our ways are not your ways nor are yours ours. And what you think you know about us is all wrong. I am not a member of the Amish faith yet because I do not believe in the Amish life. We do not baptize our children. As teenagers, like me, we get to enjoy the English world so that we may truly choose to live this way. It is called rumspringa and I had been in mine for three months. Girls start younger than boys and end earlier. Some boys, like Spike, do not come back. Most of the teenagers enter the church after their rumspringa. They are baptized and welcomed to take part in life in this community. I never asked to live this life and I had chosen to leave. Ext. Afternoon Shot of a dairy truck driving around EZEKIEL on this lonely road EZEKIEL (v.o. cont.) This is a story that you may not understand. All that mattered at that time was Zed, who I was losing touch with, and Vette, who I was growing closer with. I had started my rumspringa with gladness in my heart for the new experience and for the freedom I would have. It was like quenching a thirst I did not even know I’d hungered for my whole life. Freedom was life to me and this was my first taste. What I never could have guessed was that I could lose myself when looking for answers. And that I could find myself only by losing the things most important to me. This is the story of my rumspringa and no one can tell it for me.
Ext. Outside ZEDEDIAH’S home Afternoon ZEDEDIAH is shucking corn as EZEKIEL approaches. EZEKIEL: I think we should go into town. I could enjoy a milkshake, I could. ZEDEDIAH: That plan sounds awfully simple, quite unlike you. Also unlike you, that plan might work. EZEKIEL: I could beat you at this shucking, I could. Your hands are too small. ZEDEDIAH: The day my small hands lose out to your unspoiled fingers would be the day to walk away from all work for I surely will have learned nothing. EZEKIEL: Is that a challenge? Would you wager five dollars on it? ZEDEDIAH: Wager? We’d like to be Mennonites to engage in challenges for money. Put your back into something, Ezekiel, because it is right to work. Show you know more than the English way. EZEKIEL: I envy the English, I do. They certainly do not do as we. You would not find one of them here shucking corn. ZEDEDIAH: You’d do well to end your imaginings of the happy English world. So gifted are they at happiness that they kill each other and wall themselves away from their neighbor. EZEKIEL: I’ve come for no lecture. ZEDEDIAH: You’ve come to lose this contest and shame yourself, it would seem. Help me to move this to the back of the house and I can continue it free of your complaints. EZEKIEL: I complain only for fear that your ears become accustomed to the proud talk of this community. There is much talk about me. I’m dumb, Zed. I’ve made mistakes in their eyes and there are things I can never take back. ZEDEDIAH: EZEKIEL: Is that why you stick by me? Is that the way of it? ZEDEDIAH: No. I stick by you because you are my friend. (Beat) You’ve always led me into trouble, I consider it my duty to walk you out of it. ZEDEDIAH picks up the wooden basket of corn and begins walking around the house. Int. Ice cream shop in town Afternoon VETTE and CHRYSTENA, dressed in typical Amish garb, sit at a table by the window, each eating a dish of ice cream. VETTE catches sight of EZEKIEL talking to another Amish teen across the street. He sees her and casually waves to her. She waves back. CHRYSTENA looks to see who she is waving at. CHRYSTENA: There’s that Ezekiel. He looks not to have shaved, doesn’t he? VETTE: I doubt his father would allow that. CHRYSTENA: Does Zedediah speak of him?
His father? CHRYSTENA: No, that Ezekiel. I could favor him if you’ve heard good.
He’s so handsome. He’s got a walk about him, so confident. Don’t you think he’s handsome? What does Zed say? VETTE: It would be much easier if he were not around Zed.
EZEKIEL and EZEKIEL RABER are arranging a drug deal out the window. CHRYSTENA is appraising the situation while VETTE focuses on her ice cream. CHRYSTENA: They can’t be up to good. VETTE: Don’t even look. You are like to be doing it yourself if you look. I’m sure they have some kind of law about it and your father would pay. A car stops in front of the EZEKIEL’S, blocking CHRYSTENA’S view. EZEKIEL RABER approaches the car and leans into the window. A gunshot rings out and everyone in the ice cream shop turns to look. There is a rush out the door, led by VETTE. Ext. A street in town Moments later EZEKIEL is struggling to lift RABER up. VETTE and CHRYSTENA help him and they are soon joined by ANNA and ZACH, also Amish youths. The townspeople do nothing but stare at the unfolding situation. ZACH: What happened? EZEKIEL: What does it look like? They shot him. TOWNSMAN: We should call the police. EZEKIEL RABER: No, don’t call the police. ANNA: Where is his hat? EZEKIEL: They took it. ZACH: Is he going to die? EZEKIEL: No, he’s still awake. EZEKIEL RABER: I can feel it right here. Right up against the muscle. CHRYSTENA: Someone should call the police. EZEKIEL RABER: No, don’t call the police. Please. ZACH: This is out of control. VETTE: What should we do, Ezekiel?
We have to take him back to the community. TOWNSMAN: I really think we should call the police. We need an ambulance, we need- Throughout the rest, EZEKIEL is dragging RABER into the buggy. EZEKIEL: Send them to our community. I am taking him back. TOWNSMAN: But this is a crime scene. You shouldn’t move- EZEKIEL:
TOWNSMAN: (Calling after them) Damn Amish! Think you know better than us! You shouldn’t even come here! We don’t want you here! Could have been one of ours that got shot because of you! CHRYSTENA: They hate us, Ezekiel! Someone in the crowd is calling the police on their cell phone. This makes EZEKIEL irate. EZEKIEL: Stop calling! Stop it! Put that thing away! The person continues dialing and then talking. EZEKIEL: Just let us leave! Let us go back to our community! CHRYSTENA: Maybe we should wait. VETTE: No, Ezekiel is in the right. Townsman: Ext. Paved road Afternoon EZEKIEL and VETTE ride in buggy with EZEKIEL RABER sprawled on the bench between them. ANNA and ZACH and CHRYSTENA follow in their own buggy. It is an unusual sight as they drive slowly, with grim determination, almost as though this is how they always handle this situation. EZEKIEL: (v.o.) We call our community ort des friedens. It means “place of peace.” VETTE: His hands are very cold, Ezekiel. EZEKIEL: Is he awake? EZEKIEL RABER coughs, sputtering blood. EZEKIEL hands the reins to VETTE and begins searching RABER’S pockets. VETTE:
EZEKIEL: Just watch the road; it is known for twisting when you take your eyes off it. EZEKIEL removes a cellophane wrapper filled with a powdery substance. He quickly pockets this and then takes the reins back. Ext. Paved road Late Afternoon Camera follows a police car driving through the farmland, an ambulance trails it. Ext. KNUTZEN farm Early Evening Large group of the Amish, of all ages, are gathered watching what transpires. An ambulance crewman zips a body-bag shut over EZEKIEL RABER. EZEKIEL and VETTE, each talking to a parent, are separate from the commotion. ZEDEDIAH is conferring with his father, out of sight of VETTE and EZEKIEL. LEVI: Ezekiel, the hour grows late.
Time has expired for some.
Your chores do not expire. This excitement has surely fueled some speculation but the excitement is best saved for those who have earned it. (Beat.) I am pleased with you today. Returning to the community with this problem was the right thing to do. You have acted as a man does. EZEKIEL: I did as I thought you would. Because that makes you happy. LEVI: You think I disapprove your need for mischief. EZEKIEL: You show me such daily. LEVI: I disapprove of greater things than that. It would not please me to merely see you attend to your chores each day. I want to see you happy with your relationship with the Lord and what he’s given you. EZEKIEL: How will you know when that happens? LEVI: Because one day you will rise before me and tend to the milking, you‘ll tend to the farming. Because I will wake to find you smiling about your place in life, not even a word of apology or thanks asked. I do not demand it, but it is what will happen when the time is right, and I will be grateful that you have become a man. EZEKIEL: And you think you can teach me to be in such a way? LEVI: I did not teach you to breathe, yet you do it. Three of the calves are of age for milking. Would you tend to these cows? EZEKIEL: The cows would be mine? LEVI: The responsibility will be yours. EZEKIEL: And I could sell the milk? Or even the cows, if LEVI: Of course. Though, I can’t imagine you would want to sell your livelihood so soon.
LEVI: You labor the money. I think you’ll see when you have your own family: The money doesn’t mean anything. The money is not important and even when it goes, it will find its way back to your hands. I am giving you what I believe you earned today and it will be your responsibility to prove yourself to the Lord. He has blessed us this day. (Beat.) Take the night to think it over. You would do well to live here on the ground instead of up above. You are a part of this community, Ezekiel, I hope you understand that. And you should feel honored to share this land with your family and friends. LEVI walks away. REBECCA: (To VETTE) You will because it is right. Now wipe those eyes and let me hear no more of the English world, for once. I could have lost you this day. REBECCA walks away. VETTE watches her leave. EZEKIEL slides up beside her. VETTE: What chance do I have with a mother like this?
I think my father and your mother should have married. They suit each other. Can I walk you home? VETTE: I think my mother would prefer it were Zed. As would he. EZEKIEL: Zed is busy saving the community, as always. ZEDEDIAH is consorting with the elders of the community, as well as younger children. He seems very in control of the situation, apparently explaining the events to men twice his age. VETTE looks to the ambulance. VETTE: I would love the company. Ext. Rural farmland Early evening EZEKIEL: I would like to be in your favor. I know I would wrong Zed, but- VETTE: You become entirely too familiar, Ezekiel. EZEKIEL: They have not taught us the words to say what I feel, familiar or not. If I would be in your heart, it would make all right with the world. VETTE: But I am meant for Zed. My mother reminds me such often. EZEKIEL: Zed has not the ability to understand what we could have between us. Did you see them? Visiting over a dead boy not for his death but for the change it brings to their routine. My father had words for me over this. But not the right words.
EZEKIEL:
VETTE: Oh, but you do know the words. You know every word I could ever think of and more. I do not favor him, Ezekiel, I think you know. You could tell me the right thing to say to him. I’ll write it on my hand and recite it to him. EZEKIEL:
VETTE: That’s horrible to think of your parents and community. EZEKIEL: It’s horrible to raise us as they have. Do you not wonder why my brother left the community? It was not for fear of being plain. It was fear of being father. He has given me cows to tend and this will give me money. I plan to leave and I would ask that you come with me. But I must know I am in your favor, for I fear I am not. VETTE: And what if you were? (Beat) Where do you think my favor lies?
Your favor and devotion runs with the train, out of this town and into a city. You do not tutor the English girls for money, you feed on their gossip. You want to leave after your rumspringa, I know this. VETTE: That’s a stupid thing to say. My rumspringa is just begun and you are intent on speaking familiar. EZEKIEL: I am trying to say what I feel for you and my confession is like to be my alibi. VETTE: Alibi for what? EZEKIEL: (Grabs her hand and pulls her close) For feeling the skin so soft that I must cleanse with milk after touching it. For enjoying your smile that is meant for my friend. For making me realize the loss of my words to explain myself on this score. VETTE breaks contact and steps back. EZEKIEL: I’m sorry. I’ll apologize a hundred times for that. But you must know that a wall doesn’t fall at once. Its most important moment is when it first admits a crack. You were the crack in my heart from the moment I saw you and I almost hate my friend for asking of you first. VETTE: Would you have me as Zed would? EZEKIEL:
EZEKIEL attempts to draw her to him again, but VETTE demurs.
VETTE: The worst part is that I do care for Zed. I do. He is a great person and my mother would love that match. But you are something I could never imagine. And I think you try to switch one for the other. I feel a bit rushed by it, something I’ve never felt with Zed. EZEKIEL: I would speak to you familiar but we should not speak of Zed in such a way. I feel as though we plot. VETTE: Aye, plotting is all we do on this walk. They have come within sight of VETTE’S home. EZEKIEL: Do not depart without telling me I am in your favor. At least give me that much, so that I may relive during supper and charm you within my heart until the singing. VETTE:
EZEKIEL: Now it very much feels like plotting.
VETTE: You are the one that plots. I have declared nothing to you and you ask me to run away with you. I am trying to do right, Ezekiel. I must depart. I will see you at the singing and I hope you will join us in our song. EZEKIEL: Every song I join tonight will be to share with you. Every song I sing will be with the hidden message of a boy that favors a girl. VETTE walks toward her home. EZEKIEL stares after her. Ext. Farm road Just after dark ZEDEDIAH carefully brushes his hair and picks bits of dust off his suit jacket. EZEKIEL is seen sampling the powder retrieved from EZEKIEL RABER. ZEDEDIAH scrubs down the buggy with a rag. He sets off in the buggy as the sun goes down. VETTE waits at the intersection of a dirt road and the concrete lane in the moonlight. Voiceover by EZEKIEL over these shots: EZEKIEL: (v.o.) There is a sort of a secret in relationships in the Amish world. Parents usually do not acknowledge that their child is with another, they play dumb in this instance. There is a beautiful tradition of playing dumb in this community. I wanted to take Vette to the singing, that night and every night after. But it was Zed that took her. They had even done the ritual of sharing a bed, in clothes, and not touching. Just being near each other and sharing their moment together. I would it were me in his place and I hoped that soon it would be. ZEDEDIAH: One of the cows is blind and takes to wandering. I go searching for him the field over. He reminds me of Ezekiel in that way, aye. VETTE: Chrystena asked after Ezekiel today. She said she could favor him. ZEDEDIAH: That would make me most happy. She could be one to straighten him. He’s schwaddy, near be. I wouldn’t say a word against him, but I think you know too. He’s the cut-up, the joker. VETTE: Aye, he’s a handful. My mother says his father near worries to death over him. ZEDEDIAH: His father worries only for the community, Ezekiel tells me. I must ask Ezekiel if he has talked of movement. Can’t abide the thought of plowing land that my grandfather did not plow, dangerous as it seems here after this afternoon. But we must stand against evil. (Beat) Will you call me your kal? VETTE: That is awfully sudden of you, Zedediah.
Is it? I don’t know. I walk you to the singing and I have shared my bed with you, as my parents and theirs before them. VETTE: Not exactly as your parents. ZEDEDIAH:
VETTE: I would not presume for the other that it is love. ZEDEDIAH is silent, clearly upset. VETTE: Do not take it personal, Zed. I just want more time to figure out what it is that I feel. Can you just give me time before declaring us? ZEDEDIAH:
VETTE: I love…singing. I love to…dance in the rain after the chores are done. I love to teach the English our German and hear their gossip about television and boys. ZEDEDIAH chuckles.
I love the Lord and what he’s given us. I love my mother for all she has done. I do not go wanting for love, I do not suffer from a lack of it. But to love you after only a few weeks of this time between us… ZEDEDIAH: I will not force it. Right is right and it is meant to happen as it does. Even were I not your kal, I trust the Lord to have made the choices for us for good cause. VETTE smiles to herself. ZEDEDIAH: You find that funny? VETTE: I had never considered thanking the Lord in times we do not get what we want. ZEDEDIAH: That is when you must thank him the most. VETTE: And why is that? ZEDEDIAH: For love. Because he guides us and never gives worse than we can handle. Even when he presents the rod, he also gives the fruit. The Lord’s love is a wonderful thing, Vette. VETTE: Better than love from me? ZEDEDIAH: I think so. Yeah. Sure. I would lose your love to keep his, always. They are silent for a few steps.
Ezekiel will be at the singing tonight. He is coming alone, as you’d expect once you learn what to expect from him. Perhaps Chrystena could sit beside you? VETTE: Yes, I think she would appreciate that very much. Her kal on the other hand… ZEDEDIAH seems perplexed. ZEDEDIAH: You mean she already- VETTE: I think you will find that some girls want many beaus at once. It is a woman’s way, I think. You would expect it if you came to learn what to expect. ZEDEDIAH chuckles and then grabs her hand as they walk. VETTE will not look at him. Int. Rural home The Singing commences with standard hymnal vocalizations. Seating order is boys on one side of table, girls on other. EZEKIEL sits beside ZEDEDIAH. VETTE sits opposite ZEDEDIAH, CHRYSTENA beside VETTE. Eventually the singing stops. ZEDEDIAH: Has your father talked of movement? Is there fear after this day’s events? EZEKIEL: He labors the triangles. ZEDEDIAH: But does he want to relocate? And would we stay here? EZEKIEL and VETTE are exchanging covert glances. CHRYSTENA is looking at EZEKIEL with open infatuation. ZEDEDIAH: You are thinking of Spike’s, aren’t you? EZEKIEL: What has Spike to do with movement? ZEDEDIAH: I know it was he that got that Raber shot today. You do wrong in going there. EZEKIEL: Father approves, why do not you? ZEDEDIAH: Your father does not know what goes on there. I worry for you, Ezekiel, that is all. EZEKIEL: You worry that I would be shot as well? ZEDEDIAH: Or to prison. It is unlawful what you do there. EZEKIEL: (Loudly, to the group) Nearer My God to Thee! The singing resumes. There is a sudden disruption as ZACH races into the room and shouts: FIRE! There is a fire at the Yancy’s! The room clears and the teens run down the road in the direction of the fire. Soon it is only EZEKIEL and VETTE that remain. Ext. Farm house Night EZEKIEL and VETTE stand on opposite sides of a wooden fence. VETTE: We are taking a risk meeting at a time like this. People will talk if we are seen. EZEKIEL: Let them talk, I have no fear. VETTE: You talk casually of fear while you stand there shaking. Is it the cold? Because there is a fire down the lane that you could warm yourself at. EZEKIEL: It is closeness. VETTE: To me? EZEKIEL: To you and to my dreams. The whole community may burn if it likes, I walk without fear for I am in your favor, I am sure of it. I will leave and I ask again for you to join me. VETTE: Leave with you? Call Zed my kal? What does it profit a girl to make a choice in this community? I’ll surely be wrong in any decision. I can’t help thinking of your brother. EZEKIEL: His mistakes are not ours. He did not leave, he was driven out. He could accept the hard labor, but not dealing with father. (Beat) Do you know what became of Michael? I last saw him in a courtroom. He cheated people out of money. He lied and took their money so they brought him in and let him go and then he lied and took more money so they put him in prison. VETTE: I had not heard of this. EZEKIEL: It’s not something father wants known. He told me he will regret it but once, and that will be always. VETTE: What became of Michael? EZEKIEL: He used to send money. Father would not spend it. It is in a cabinet, in a jar, preserved. I think he’s in California. Why are you so far from me? I can not touch you from this side of the fence. VETTE: Then the fence must stay. If we are seen to be close there would be no secret to keep. (Beat) Why are we to accept that this is any sort of party? Boys and girls sitting on opposite sides of a table, singing. I want excitement. I want to feel what you feel, Ezekiel. EZEKIEL: You want to see a real party? Int. Spike’s Trailer Nighttime Rock music blares as there are shots of teenagers drinking from a beer bong, smoking marijuana in a bong, playing a Playstation. All the teens are male and most of them Amish. There are unusual artifacts like knives in the walls of the trailer. The whole trailer is enveloped with smoke. SPIKE is, inexplicably, wearing a pirate outfit. VETTE appears frightened by the mayhem she sees. She pulls close to EZEKIEL and will not leave his reach. EZEKIEL: (Over the music) Spike is a legend! His rumspringa was like seven years ago and he never came back! He bought this little trailer right off the community and lets all the guys come over here! VETTE: Why have I not heard of this?
Vette. Girls are meant to have a different rumspringa than us. **Montage** VETTE is shown taking a hit off a joint and then washing it down with a drink of beer. EZEKIEL grabs her and lifts her to spin her in circles. She laughs, looks very free. Slam dancing has ensued, nearly amounting in a brawl. EZEKIEL exits the mob and looks at VETTE. She smiles at him, there is a tender moment between them. He waves to her and she waves back. Int. Spike’s bedroom Same night Vette is leafing through papers on SPIKE’S dresser. She moves to a CD tower and begins to finger the selections. Eventually she slides the closet door open a bit. Two eyes look out at her. She jumps, startled, and immediately closes the door again. She slowly opens it. VETTE: Who are you? QUINN: I’m Quinn. VETTE: Who put you in there? QUINN: It’s my room. VETTE: (Hesitant) You live in there? QUINN:
VETTE: Well come out of there. You scared me near to death. The girl remains sitting. VETTE: You don’t want to come out? QUINN: Daddy says I’m not allowed. VETTE: (Reaching into the small bag she carries) Would you like chocolate? SPIKE stands at the door, unknown to VETTE. SPIKE: She can’t have any. VETTE jumps, startled yet again. VETTE: I’m sorry, I did not know she was in there. SPIKE: Just like a dog. The chocolate I mean, not being in the closet. VETTE: Why can’t she have any? Does it make her sick? SPIKE: She’s got the same problem dogs do. Chocolate has theobromine and her body can’t metabolize it quickly. If she has too much of it, she’ll die.
VETTE: Why does she sleep in the closet? SPIKE: Because I can’t afford another bedroom. VETTE: Where is the mother? SPIKE: It’s not like in fairytale books. VETTE:
SPIKE: The bullshit they feed the English kids so they don’t give up before they start. Do you always interrogate someone you’ve just met? VETTE:
SPIKE: How many questions are left? VETTE: Do you always have these parties here? SPIKE: We’re saying goodbye to a friend. Come have a beer, I’ll be happy to answer all your questions in the order they are received. SPIKE exits. Int. Spike’s trailer Moments later SPIKE: Ezekiel, I have been meaning to discuss The Catcher in the Rye with you. Have you read it? EZEKIEL: Is it about farming? SPIKE laughs, mildly.
It follows the exploits of errant anti-hero Holden Caulfield. He has built himself a protective wall that allows him to condescend to everyone he encounters, at least in his ongoing mental narrative. The purpose of this, incidentally, is to safeguard his own fragile ego. You see, he can not truthfully face himself, so it is easier to hate everyone he meets. But I do not broach this subject with you for that reason, errant anti-hero though you may likewise be. I also see the novel as a story about paralysis, perhaps the great contemporary theme thanks to this book and the work of Chekhov and Beckett. I feel you too are paralyzed, despite your great dreams. I believe you are sincere in your opposition to the Anabaptist life, just as I was. And I also feel you think of leaving, casting off on your own, pure Horatio Alger. You’ve swallowed all you can here, that is for certain. (Beat)
EZEKIEL chuckles nervously and says
Don’t worry about it. I only understood every third word anyway. They share a laugh together and Spike sticks his hands in his pockets and walks away. Int. SPIKE’S bedroom Moments later VETTE is looking out the window. EZEKIEL stands at the bedroom door. EZEKIEL: Vette? VETTE: People enjoy sneaking up on you in this home. EZEKIEL: I did not mean to-
Please come outside with me. I need air. EZEKIEL: I wanted to show you- VETTE: Fresh air is not what I need, merely the air breathed only by us. EZEKIEL leads VETTE outside. Ext. Night A hill that is some distance from SPIKE’S trailer. EZEKIEL and VETTE lay together beneath a tree. EZEKIEL is smoking a cigarette. EZEKIEL: Had I known you would prefer staring at the stars to the party, I would have gotten us some wine to share. VETTE: I kindly ask you to hold my hand while I make sense of this night. Nothing more is required and no more asked. (Beat) Except a kiss.
EZEKIEL tosses the cigarette and rolls to face her. VETTE: Do you notice we fit so perfectly? I would enjoy your kiss right now. Now more than ever. EZEKIEL kisses her softly. He is clearly somewhat panicked at what he is doing. He is very agitated. VETTE: There is no need to be frightened. I decided that tonight I would kiss you proper while at the singing. Each moment until now has just been waiting. EZEKIEL: I’m not frightened of kissing you. I’m worried that I will have to stop kissing you eventually. VETTE: You shake as though it is cold. Yet you sweat. EZEKIEL: I’ve never had one of my longings come true before. I can’t stop the shaking. I can’t. I’m telling my body not to tremble and yet it does. VETTE: Calm, Ezekiel. Just be calm. Should we return to the party instead? EZEKIEL: It appears you would be very bored at that. No, I enjoy this. I want to share this moment with you. EZEKIEL reaches between her legs and she instantly pushes him away. VETTE: I’m sorry. I do not mean to be forceful. This is new to me also. EZEKIEL: In my daydreams, this never happens in such a way. VETTE: I’m sorry, I’m doing this all wrong. EZEKIEL: No, I mean to say that there is an order in my fantasy. First we kiss and then I feel your breast and you feel my manhood. Then I touch between your legs while we kiss. VETTE grasps EZEKIEL’S hand and places it on her breast. EZEKIEL:
VETTE: I would not be here if it did. (Considers.) No, this feels good. It feels right, in the strangest way possible. EZEKIEL is trembling very hard. VETTE: You seem more frightened than I. EZEKIEL: Perhaps we should rush and just finish it. So we may approach it another day when it is not new to us. VETTE begins fumbling with his pants, trying to unbutton them. EZEKIEL: Let me. EZEKIEL quickly unbuttons his pants and pulls his shirt over his head. VETTE: I’ll do the same, I fear you would have worse success with my garments. EZEKIEL stops and laughs. VETTE: What? What is it? EZEKIEL: Never have I dreamed it would be this…fumbling. I never considered that I am ill prepared for my own fantasies when they come true. I feel lied to by my own imaginings. VETTE: Do you want to- EZEKIEL: No. I love you, Vette. I love you as the creek loves the bed. You guide me home in all ways. I love you like- VETTE holds a finger up to his lips, indicating him to stop. VETTE: You only have to say it once for me to know it is true this night. I never thought it would be anything like this. But now, I know it can be and that’s okay. A long, quiet moment where they stare at each other and consider. EZEKIEL: This…is better than I thought it would be, despite it all. VETTE removes her head covering. EZEKIEL runs his hand through her hair. VETTE: Say it once more and we will share ourselves. EZEKIEL kisses her tenderly. He leans back and says EZEKIEL: I do love you. They begin to kiss again and the shot fades out. Ext. Under the same tree Later in the night EZEKIEL and VETTE hold each other in the darkness, only half dressed. EZEKIEL is lovingly pulling grass from VETTE’S hair. VETTE: I feel so foolish living in fear of what we have done. Do the English feel the fool when they do such?
I’ve been told so as to believe it that love makes the fools. VETTE: I’m not sure what we’ve done here this night. The path we’ve chosen. EZEKIEL: We can never tell, can we? VETTE: Your father and my mother and Zedediah and… We’ve made fools of them all, for no reason other than passion. We must swear to secrecy on the bond of our love. EZEKIEL: I would shout my love from the rooftops. VETTE: Leave the rooftops be. You know we are not meant for each other in this life. But what we have done can never be spoken of. EZEKIEL: You talk as though this is the end. VETTE: An ending it may need to be. Maybe it was a mistake if we- EZEKIEL: (Suddenly much more alive) Mistake? You call our act of love a mistake? VETTE:
EZEKIEL: I worry not what others think. I worry what you think, and did not even do that before you called it a mistake. Now I worry it very much.
VETTE: (Visibly upset) You do worry it, just as I. We are still of the community. We’ve not left yet. EZEKIEL is silent, clearly displeased but unsure how to respond. VETTE: I’m sorry, Ezekiel. I seek only to speak the truth with you. If I have to live a lie in front of the community, at least allow me the truth in your presence. EZEKIEL: But the truth is there was no mistake here. You are beholden to their lies. They train you to be of the community, they do it from birth. VETTE: I am spoken for, Ezekiel. I am sorry I’ve ruined what we just shared but I must leave. I am past curfew and probably smell of cigarettes. EZEKIEL: You’re just going to leave me here? VETTE: I think you can find your own way home. It will not be as simple for me. VETTE walks away, placing her bonnet on her head. EZEKIEL lights another cigarette and watches SPIKE’S trailer from afar. Ext. Afternoon EZEKIEL and ZEDEDIAH toss horseshoes in ZEDEDIAH’S backyard. ZEDEDIAH: You hook your hand, you do. It throws off the balance. VETTE and CHRYSTENA approach. EZEKIEL: Vette comes to visit. ZEDEDIAH:
EZEKIEL: It could be womanly troubles. I’ve heard talk of such. ZEDEDIAH laughs. ZEDEDIAH: Womanly troubles would not explain her distance of late. But she brings that Chrystena with her. I think she could fancy you. VETTE shouts out to them. The four wave to each other. CHRYSTENA: We’ve been in town where there is a man dressed as a chicken handing out slips of paper! ZEDEDIAH: They are paid to do such. I have heard talk of it. CHRYSTENA: I find it foolish. Are we meant to think he is actually a chicken? ZEDEDIAH: Mayhap someone will take a shot at him and we will see. He instantly regrets this. ZEDEDIAH: I’m sorry, Ezekiel. I forgot you were there with Raber. My mouth runs faster than my brain at times. EZEKIEL: That shooting had naught to do with me. CHRYSTENA:
VETTE: I find it best to hear and see little when in town. ZEDEDIAH tosses a horseshoe that lands right on its mark. CHRYSTENA: You’re gifted at that, you are. VETTE and EZEKIEL are trying to avoid unusual eye contact but are not very successful. ZEDEDIAH: What little did you see that day, Vette? VETTE is uncomfortable. VETTE: It was more what I heard that my mind returns to. EZEKIEL: What did you hear? VETTE: Gossip about boys that could be fancied. EZEKIEL: I’m done to death with fancying anyone. VETTE: I’m sad to hear that because I know a girl that fancies you very much. ZEDEDIAH: I hope you will tell her that he could fancy her back. You could use a partner, Ezekiel. VETTE: Do you fancy her back? EZEKIEL looks to ZEDEDIAH and then to CHRYSTENA before looking back at VETTE. EZEKIEL: I can not say it with a certain someone watching over my shoulder. I’d rather be free to say it just to your ear. VETTE begins walking away. ZEDEDIAH makes a move to go after her but EZEKIEL outdistances him in just a few paces. EZEKIEL catches up to VETTE and they walk together. EZEKIEL: Do you run from me now? VETTE: I run from carelessness. You would declare love in front of Zedediah. EZEKIEL: No, I said- VETTE: I heard what you said. And I also heard words you did not say but were ready to. And I thought it best to leave. EZEKIEL: Just tell me you favor me as I you. VETTE: I have been scared for so long, Ezekiel. I have been terrified, near to be. Over you. And you have not made it easy for me. EZEKIEL: I never meant to cause harm.
EZEKIEL: Hold up. Just stop and let me talk to you. VETTE: We must get back. They think we talk of Chrystena and I would rather they think such. EZEKIEL: But what should I say to her? What should I- VETTE: Now you know my position. It will make it more difficult, but this is the path we chose. EZEKIEL: I just want to be in your favor, Vette. VETTE: You always have been. **Montage** Scenes of these four spending time together. They throw horseshoes, walk around town, have ice cream together, and other leisure activities. EZEKIEL and ZEDEDIAH take a break from building a smokehouse with Amish adults. CHRYSTENA and VETTE are there to offer them water and sandwiches. They sit by a creek, nearly falling over with laughter. **End montage** EZEKIEL: (v.o.) And so we continued as that. Vette and I proclaiming our love in private, sneaking kisses, holding hands in secret. I wanted to make love with her again. I was sure this time I could control my shaking. But we never had the opportunity again. I always remember those days as the four of us together, all the while wishing it was just me and Vette. I walked Chrystena to the singings and Zed walked Vette. There was sunshine and the air had not turned cold yet. The sky was pleasant, the ground reassuring. Reliving this time in words, I begin to wish I could relive it in fact. We were young and thought the good times would last forever. |